The evolution of a musical form is, like biological evolution, seldom linear. But Philip Norman teased out a straight line of sorts, in his explanation of the development of the prelude/toccata/whatever + fugue format, on Saturday at Bloomsbury Central Baptist…
Today is St Cecilia’s Day – our patron saint – so here are four of my favourite St Cecilias. Where and when she was martyred is a matter of debate, but she is generally recognised as a noblewoman of Rome…
Cartoonist Dave Walker has a mission, he says, to explain the church to baffled outsiders. This cartoon is one of my favourites.
Here’s another organist with that terrific combination of virtuosity and showmanship typical of the US of A. (We Brits do virtuosity, but our showmanship is a little more homespun.) Diane Bish is an international concert organist, recording and performing all…
I have no excuse for feeling uncomfortable about manual hopping on the organ, with this piano to practice on. This splendid instrument belongs to a trust, but lives with me. The keyboards are essentially an 8′ and a 4′ working…
Many of the RCO Academy classes are held in St Giles Cripplegate church, which boasts no fewer than three organs. This class was on a rainy London evening earlier this week, topic: concentration, tutor: the excellent Daniel Moult. Daniel was…
The sports psychologists have been putting sportsmen and women through Mental Skills Training (MST) for years, and musicians have only just caught on to the fact that many playing and performance issues are mental rather than physical. So our tutors…
Ginger Rogers famously did everything Fred Astaire did, but backwards and in high heels. Ethel Smith’s chosen instrument was the Hammond organ, and she played not only in high heels, but in a tight frock and often a hat. Her…
I confess I had a very woolly understanding of plainchant – until last weekend that is, when the RCO gave us a day of Discovering Plainchant at Ampleforth Abbey, in the North Yorkshire hills (near where I grew up). Plainchant…
I was pitched into the role of church organist with little preparation, and zero repertoire. I was told that it took at least a year, if not eighteen months, to develop a reliable pedal technique – and I am finding…










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